Egyptian mythology

From Wikipedia, the free encyclopedia

Egyptian mythology or Egyptian religion is the succession of tentative beliefs held by the people of for over three thousand years, prior to the existence of and major exposure to Chirstianity and Islam.


Gods

Egyptian goddess Isis, tomb painting, ca. 1360 BC.
Early beliefs can be split into 5 distinct localized groups,
the Ennead of Heliopolis, where the chief god was Atum-Re
the Ogdoad of Hermopolis, where the chief god was Ra
the Chnum-Satet-Anuket triad of Elephantine, where the chief god was Chnum
the Amun-Mut-Chons triad of Thebes, where the chief god was Amun
the Ptah-Sekhmet-Nefertem triad of Memphis, unusual in that the gods were unconnected before the triad was formalized, where the chief god was Ptah

Throughout the vast and complex history of Egypt, the dominant beliefs of the ancient Egyptians merged and developed as leaders of different groups gained power. This process continued even after the end of the ancient Egyptian civilization as we know it today. As an example, during the New Kingdom Ra and Amun became Amun-Ra. This "merging" into a single god is typically referred to as syncretism. Syncretism should be distinguished from mere groupings, also referred to as "families" such as Amun, Mut and Khonsu, where no "merging" takes place. Over time, deities took part in multiple syncretic relationships, for instance, the combination of Ra and Horus into Ra-Herakty. However, even when taking part in such a syncretic relationship, the original deities did not become completely "absorbed" into the combined deity, although the individuality of the one was often greatly weakened. Also, these syncretic relationships sometimes involved more than just two deities, for instance, Ptah, Seker and Osiris, becoming Ptah-Seker-Osiris. The goddesses followed a similar pattern. Also important to keep in mind is that sometimes the attributes of one deity got closely associated with another, without any "formal" syncretism taking place. For instance, the loose association of Hathor with Isis.

An interesting aspect of ancient Egyptian religion is that deities sometimes played different conflicting roles. As an example, the lioness Sekhmet being sent out by Ra to devour the humans for having rebelled against him, but later on becoming a fierce protectress of the kingdom, life in general and the sick. Even more complex is the roles of Set.
Judging the mythology of Set from a modern perspective, especially the mythology surrounding Set's relationship with Osiris, it is easy to cast Set as the arch villain and source of evil. This is wrong, however, as Set was earlier playing the role of destroyer of Apep, in the service of Ra on his barge, and thus serving to uphold Ma'at (Truth, Justice and Harmony).

Given the diverse tapestry of religious history in ancient Egypt, it comes as no surprise that many different forms of theism evolved. Although mainly henotheistic in nature, at some point even monotheism, as introduced by Akhenaton thrived. What is important to realize is that it is very dangerous to try and cast the religion of the ancient Egyptians in any particular theistic form. Even more dangerous to claim is that, towards the end of the Egyptian civilization, a drive toward monotheism was taking place. The evidence of the time (Greaco-Roman period) seems counter to this belief: although syncretism was still taking place (sometimes and more frequently between Egyptian and non-Egyptian deities), many deities were still revered and served. As an example the following which Thoth enjoyed during these later periods. This is quite evident when one simply looks at the vast number of mummified Ibis birds offered to him. Also, the belief in Egyptian deities was spreading to countries other than Egypt. For instance the Roman belief in, and following of Isis.

The Egyptians believed that in the beginning, the universe was filled with the dark waters of chaos. The first god, Re-Atum, appeared from the water as the land of Egypt appears every year out of the flood waters of the Nile. Re-Atum spat and out of the spittle came out the gods Shu (air) and Tefnut (moisture). The world was created when Shu and Tefnut gave birth to two children: Nut (sky) & Geb (the Earth). Humans were created when Shu and Tefnut went wandering in the dark wastes and got lost. Re-Atum sent his eye to find them. On reuniting, his tears of joy turned into people.

Geb and Nut copulated, and upon Shu's learning of his children's fornication, he separated the two, effectively becoming the air between the sky and ground. He also decreed that the pregnant Nut should not give birth any day of the year. Nut pleaded with Thoth, who on her behalf gambled with the moon-god Yah and won five more days to be added onto the then 360-day year. Nut had one child on each of these days: Osiris, Isis, Seth, Nephthys, and Horus-the-Elder.

Osiris, by different accounts, was either the son of Re-Atum or Geb, and king of Egypt. His brother Seth represented evil in the universe. He murdered Osiris and himself became the king. After killing Osiris Seth tore his body into pieces, but Isis rescued most of the pieces for burial beneath the temple. Seth made himself king but was challenged by Osiris's son - Horus. Seth lost and was sent to the desert. He became the God of terrible storms. Osiris was mummified by Anubis and became God of the dead. Horus became the King and from him descended the pharaohs.

Another version is when Seth made a chest which only Osiris could fit into. He then invited Osiris to a feast. Seth made a bet that no one could fit into the chest. Osiris was the last one to step into the chest, but before he did Seth asked if he could hold Osiris's crown. Osiris agreed and stepped into the chest. As he lay down, Seth slammed the lid shut and put the crown on his head. He then set the chest afloat on the Nile. Isis did not know of her husband's death until the wind told her. She then placed her son in a safe place and cast a spell so no one could find him. When she searched for a husband, a child told her a chest had washed up on the bank and a tree had grown up. The tree was so straight the king had used it for the central pillar. Isis went and asked for her husband's body and it was given to her. The god of the underworld told her that Osiris would be a king, but only in the underworld.

Death

Egypt had a highly developed view of the afterlife with elaborate rituals for preparing the body and soul for a peaceful life after death. Beliefs about the soul and afterlife focused heavily on preservation of the body, or ba (The soul was known as the ka). This meant that embalming and mummification were practiced, in order to preserve the individual's identity in the afterlife. Originally the dead were buried in reed caskets in the searing hot sand, which caused the remains to dry quickly, preventing decomposition, and were subsequently buried. Later, they started constructing wooden tombs, and the extensive process of mummification was developed by the Egyptians around the 4th Dynasty. All soft tissues were removed, and the cavities washed and packed with natron, then the exterior body was buried in natron as well. Since it was a stoneable offence to harm the body of the Pharaoh, even after death, the person who made the cut in the abdomen with a rock knife was ceremonially chased away and had rocks thrown at him.

After coming out of the natron, the bodies were coated inside and out with resin to preserve them, then wrapped with linen bandages, embedded with religious amulets and talismans. In the case of royalty, this was usually then placed inside a series of nested coffins the outermost of which was a stone sarcophagus. The intestines, lungs, liver and the stomach were preserved separately and stored in canopic jars protected by the Four sons of Horus. Other creatures were also mummified, sometimes thought to be pets of Egyptian families, but more frequently or more likely they were the representations of the Gods. The ibis, crocodile, cats, nile perch and baboon can be found in perfect mummified forms.

The Book of the Dead was a series of almost two hundred spells represented as sectional texts, songs and pictures written on papyrus, individually customized for the deceased, which were buried along with the dead in order to ease their passage into the underworld. In some tombs, the Book of the Dead has also been found painted on the walls, although the practice of painting on the tomb walls appears to predate the formalization of the Book of the Dead as a bound text. One of the best examples of the Book of the Dead is The Papyrus of Ani, created around 1240 BC, which, in addition to the texts themselves, also contains many pictures of Ani and his wife on their journey through the land of the dead.

In later belief, the soul of the deceased is led into a hall of judgement in Duat by Anubis (god of mummification) and the deceased's heart, which was the record of the morality of the owner, is weighed against a single feather representing Maàt s (the concept of truth, and order). If the outcome is favorable, the deceased is taken to Osiris, god of the afterlife, in Aaru, but the demon Ammit (Eater of Hearts) – part crocodile, part lion, and part hippopotamus – destroys those hearts whom the verdict is against, leaving the owner to remain in Duat. A heart that weighed less than the feather was considered a pure heart, not weighed down by the guilt or sins of one's actions in life, resulting in a favorable verdict; a heart heavy with guilt and sin from one's life weighed more than the feather, and so the heart would be eaten by Ammit.


Pharaoh Akhenaten and his family praying to Aten.
A short interval of monotheism (Atenism) occurred under the reign of Akhenaten, focused on the Egyptian sun deity Aten. Akhenaten outlawed the worship of any other god and built a new capital (Amarna) with temples for Aten. The religious change survived only until the death of Akhenaten, and the old religion was quickly restored during the reign of Tutankhamun, most likely Akhenaten's son by a minor wife. Interestingly, Tutankhamun and several other post-restoration pharaohs were excluded from future king lists, as well as the heretics Akhenaten and Smenkhare.

While most historians regard this period as monotheistic, some researchers do not regard Atenism as such. They state that people did not worship Aten, but worshipped the royal family as a pantheon of gods who received their divine power from the Aten. That point of view is largely dismissed by the historical community. Some researchers go as far as to suggest that Akhenaten or some of his viziers were the Biblical Moses or Joseph; the Egyptological community dismisses these claims as unscholarly, since none of the theories are based on proper research, and the well-documented worship of Aten has nothing in common with the religion of

Moses.

According to John Tuthill, a professor at the University of Guam, Akhenaten's reasons for his religious reform were political. By the time of Akhenaten's reign, the god Amen had risen to such a high status that the priests of Amen had become even more wealthy and powerful than the pharaohs. However, it may be that Akhenaten was influenced by his family members, particularly his wife or mother (Dunham, 1963, p. 4; Mertz, 1966, p. 269). There was a certain trend in Akhenaten's family towards sun-worship. Towards the end of the reign of Akhenaten's father, Amenhotep III, the Aten was depicted increasingly often. Some historians have suggested that the same religious revolution would have happened even if Akhenaten had never become pharaoh at all. However, considering the violent reaction that followed shortly after Akhenaten's untimely death, this seems improbable. The reasons for Akhenaten's revolution still remain a mystery. Until further evidence can be uncovered, it will be impossible to know just what motivated his unusual behavior.
After the fall of the Amarna dynasty, the original Egyptian pantheon survived more or less as the dominant faith, until the establishment of Coptic Christianity and later Islam, even though the Egyptians continued to have relations with the other monotheistic cultures (e.g. Hebrews). Egyptian mythology put up surprisingly little resistance to the spread of Christianity, sometimes explained by claiming that Jesus was originally a syncretism based predominantly on Horus, with Isis and her worship becoming Mary and veneration (see Jesus as myth).

Temples

Many temples are still standing today. Others are in ruins from wear and tear, while others have been lost entirely. Pharaoh Ramses II was a particularly prolific builder of temples.
Some known temples include:
Abu Simbel – Complex of two massive rock temples in southern Egypt on the western bank of the Nile.
Abydos (Great Temple of Abydos) – Adoration of the early kings, whose cemetery, to which it forms a great funerary chapel, lies behind it.
Ain el-Muftella (Bahariya Oasis) – Could have served as the city center of El Qasr. It was probably built around the 26th Dynasty.
Karnak – Once part of the ancient capital of Egypt, Thebes.
Bani Hasan al Shurruq – Located in Middle Egypt near to Al-Minya and survived the reconstruction of the New Kingdom.
Edfu – Ptolemaic temple that is located between Aswan and Luxor.
Temple of Kom Ombo– Controlled the trade routes from Nubia to the Nile Valley.
Luxor – Built largely by Amenhotep III and Ramesses II, it was the centre of the Opet Festival.
Medinet Habu (Memorial Temple of Ramesses III)– Temple and a complex of temples dating from the New Kingdom.
Temple of Hatshepsut – Mortuary temple complex at Deir el-Bahri with a colonnaded structure of perfect harmony, built nearly one thousand years before the Parthenon.
Philae – Island of Philae with Temple of Aset which was constructed in the 30th Dynasty.
Ramesseum (Memorial Temple of Ramesses II) – The main building, dedicated to the funerary cult, comprised two stone pylons (gateways, some 60 m wide), one after the other, each leading into a courtyard. Beyond the second courtyard, at the centre of the complex, was a covered 48-column hypostyle hall, surrounding the inner sanctuary.
Dendera Temple complex – Several temples but the all overshadowing building in the complex is the main temple, the Hathor temple.

Osiris

From Wikipedia, the free encyclopedia

Osirisin hieroglyphs
Osiris (Greek language, also Usiris; the Egyptian language name is variously transliterated Asar, Aser, Ausar, Wesir, or Ausare) is the Egyptian god of life, death and fertility. At the height of the ancient Nile civilization, Osiris was regarded as the primary deity of a henotheism. Osiris was not only the merciful judge of the dead in the afterlife, but also the underworld agency that granted all life, including sprouting vegetation and the fertile flooding of the Nile River. Beginning at about 2000 B.C. all men, not just dead pharaohs, were believed to be associated with Osiris at death.

The origin of Osiris's name is a mystery, which forms an obstacle to knowing the pronunciation of its hieroglyphic form. The majority of current thinking is that the Egyptian name is pronounced aser where the a is the letter ayin (i.e. a short 'a' pronounced from the back of the throat as if swallowing).
Contents

Origin of name

The name was first recorded in Egyptian hieroglyphs only as ws-ỉr or ȝs-ỉr because the Egyptian writing system omitted vowels. It is reconstructed to have been pronounced *ʔUs-Īrī (oos-ee-ree) meaning 'Throne of the Eye' and survives into the Coptic language as Ousire.

Early mythology

Father of Anubis
Earlier, when the Ennead and Ogdoad cosmogenies became merged, with the identification of Ra as Atum (Atum-Ra), gradually Anubis, the god of the underworld in the Ogdoad system, was replaced by Osiris, whose cult had become more significant. In order to explain this, Anubis was said to have given way to Osiris out of respect, and, as an underworld deity, was subsequently identified as being Osiris' son. Abydos, which had been a strong centre of the cult of Anubis, became a centre of the cult of Osiris.
However, as Isis, Osiris' wife, represented life, in the Ennead, it was considered somewhat inappropriate for her to be the mother of a god associated with death, and so instead, it was usually said that Nephthys, the other of the two female children of Geb and Nut, was his mother. To explain the apparent infidelity of Osiris, it was said that a sexually frustrated Nephthys had disguised herself as Isis to get more attention from her husband, Set, but did not succeed, although Osiris then mistook her for Isis, and they procreated, resulting in Anubis' birth.

Father of Horus

Later, when Hathor's identity (from the Ogdoad) was assimilated into that of Isis, Horus, who had been Isis' husband (in the Ogdoad), became considered her son, and thus, since Osiris was Isis' husband (in the Ennead), Osiris also became considered Horus' father. Attempts to explain how Osiris, a god of the dead, could give rise to someone so definitely alive as Horus, lead to the development of the Legend of Osiris and Isis, which became the greatest myth in Egyptian mythology.
The myth described Osiris as having been killed by his brother Seth who wanted Osiris' throne. Osiris was subsequently resurrected by Anubis. Osiris and Isis gave birth to Horus. As such, since Horus was born after Osiris' resurrection, Horus became thought of as representing new beginnings. This combination, Osiris-Horus, was therefore a life-death-rebirth deity, and thus associated with the new harvest each year.
Ptah-Seker (who resulted from the identification of Ptah as Seker), who was god of re-incarnation, thus gradually became identified with Osiris, the two becoming Ptah-Seker-Osiris (rarely known as Ptah-Seker-Atum, although this was just the name, and involved Osiris rather than Atum). As the sun was thought to spend the night in the underworld, and subsequently be re-incarnated, as both king of the underworld, and god of reincarnation, Ptah-Seker-Osiris was identified as the sun during the night.

Ram god

Banebdjed (b3-nb-ḏd)in hieroglyphs
Since Osiris was considered dead, as God of the Dead, Osiris' soul, or rather his Ba, was occasionally worshipped in its own right, almost as if it were a distinct god, especially so in the Delta city of Mendes. This aspect of Osiris was referred to as Banebdjed (also spelt Banebded or Banebdjedet, which is technically feminine) which literally means The ba of the lord of the djed, which roughly means The soul of the lord of the pillar of stability. The djed, a type of pillar, was usually understood as the backbone of Osiris, since the Egyptians had associated death, and the dead, as symbolic of stability. As Banebdjed, Osiris was given epithets such as Lord of the Sky and Life of the (sun god) Ra, since Ra, when he had become identified with Atum, was considered Osiris' ancestor, from whom his regal authority was inherited.
Ba does not, however, quite mean soul in the western sense, and also has a lot to do with power, reputation, force of character, especially in the case of a god. Since the ba was associated with power, and also happened to be a word for ram in Egyptian, Banebdjed was depicted as a ram, or as Ram-headed. A living, sacred ram, was even kept at Mendes and worshipped as the incarnation of the god, and upon death, the rams were mummified and buried in a ram-specific necropolis.
In Mendes, they had considered Hatmehit, a local fish-godde most important god/goddess, and so when the cult of Osiris became more significant, Banebdjed was identified in Mendes as deriving his authority from being married to Hatmehit. Later, when Horus became identified as the child of Osiris (in this form Horus is known as Harpocrates in greek and Har-pa-khered in Egyptian), Banebdjed was consequently said to be Horus' father, as Banebdjed is an aspect of Osiris.
In occult writings, Banebdjed is often called the goat of Mendes, and identified with Baphomet; the fact that Banebdjed was a ram (sheep), not a goat, is apparently overlooked.

Mystery religion

The Cult of Osiris
The cult of Osiris had a particularly strong interest towards the concept of immortality. According to the myth surrounding the cult, Set (Osiris's evil brother) fooled Osiris into getting into a coffin, which he then shut and threw into the Nile. Osiris's wife searched for his remains until she finally found them and brought them back to Egypt. Once Osiris's evil brother found out, he cut the body into pieces, and again threw them into the Nile. The faithful companion of Osiris, Isis, gathered up all the parts of the body and bandaged them together for a proper burial. The Gods were impressed by the devotion of Isis and thus restored Osiris to life in the form of a different kind of existence as the god of the underworld. Because of his death and resurrection, Osiris is associated with the flooding and retreating of the Nile and thus with the crops along the Nile valley.

The passion and resurrection

Plutarch and others have noted that the sacrifices to Osiris were “gloomy, solemn, and mournful…” (Isis and Osiris, 69) and that the great mystery festival, celebrated in two phases, began at Abydos on the 17th of Athyr (Nov. 13th) commemorating the death of the god, which is also the same day that grain was planted in the ground. “The death of the grain and the death of the god were one and the same: the cereal was identified with the god who came from heaven; he was the bread by which man lives. The resurrection of the god symbolized the rebirth of the grain.” (Larson 17) The first phase of the festival was a public drama depicting the murder and dismemberment of Osiris, the search for his body by Isis, his triumphal return as the resurrected god, and the battle in which Horus defeated Set. This was all presented by skilled actors as a literary history, and was the main method of recruiting cult membership. According to Julius Firmicus Maternus of the fourth century, this play was re-enacted each year by worshippers who “beat their breasts and gashed their shoulders…. When they pretend that the mutilated remains of the god have been found and rejoined…they turn from mourning to rejoicing.” (De Errore Profanorum).
The Passion of Osiris was re-enacted at all of his temples during his annual festivals. On a stele at Abydos erected in the 12th Dynasty by I-Kher-Nefert, a priest of Osiris during the reign of Usertsen III (Pharaoh Sesostris, about 1875 BC) we find the principle scenes of the mystery-drama depicted (I-Kher-Nefert played Horus). In the first scene, Osiris is slain, no one knowing what happened to his body, and the onlookers weep and mourn, rend their hair and beat their breasts. Isis and Nepthys then recover the remnants and return to the temple. In the second scene, Thoth, Horus and Isis revive Osiris in the sanctuary, not witnessed by the populace. Then Osiris emerges, to much rejoicing. Horus then places Osiris in a solar boat, to proceed directly to the eternal regions, known as the “coming forth by day” mentioned so often in the Book of the Dead. The climax of the play is the great battle between Horus and Set, described in detail by Herodotus (History II, 63).

Wheat and clay rituals

Differing from the public portion above, an esoteric phase consisted of ceremonials performed inside the temples by priests witnessed only by initiates. Plutarch mentions that two days after the beginning of the festival “the priests bring forth sacred chest containing a small golden coffer, into which they pour some potable water…and a great shout arises from the company for joy that Osiris is found (or resurrected). Then they knead some fertile soil with the water…and fashion therefrom a crescent-shaped figure, which they cloth and adorn, this indicating that they regard these gods as the substance of Earth and Water.” (Isis and Osiris, 39). Yet even he was obscure, for he also wrote, “I pass over the cutting of the wood” opting to not describe it since he considered it most sacred (Ibid. 21).
In the Osirian temple at Denderah, an inscription (translated by Budge, Chapter XV, Osiris and the Egyptian Resurrection) describes in detail the making of wheat paste models of each dismembered piece of Osiris to be sent out to the town where each piece was discovered by Isis. At the temple of Mendes, figures of Osiris are made from wheat and paste placed in a trough on the day of the murder, then water added for several days, when finally the mixture was kneaded into a mold of Osiris and taken to the temple and buried (the sacred grain for these cakes only grown in the temple fields). Molds are made from wood of a red tree in the forms of the sixteen dismembered parts of Osiris, cakes of divine bread made from each mold, placed in a silver chest and set near the head of the god, the inward parts of Osiris as described in the Book of the Dead (XVII). On the first day of the Festival of Ploughing, where the goddess Isis appears in her shrine where she is stripped naked, Paste made from the grain is placed in her bed and moistened with water, representing the fecund earth. All of these sacred rituals were climaxed by the eating of sacramental god, the eucharist by which the celebrants were transformed, in their persuasion, into replicas of their god-man (Larson 20).

The Osirian Sacrament
Although there were ethical and ceremonial considerations none of these could compare to the power of the divine eucharist, since it was literally believed to be the body (bread) and blood (ale) of the god. Since the ancient Nilotics believed that humans were whatever they eat, this sacrament was, by extension, able to make them celestial and immortal. The doctrine of the eucharist ultimately has its roots in prehistoric cannibalism, whose practitioners understood that virtues and powers of the eaten can be thus absorbed by the eater. This phenomenon has been described throughout the world.
One of the oldest of the Pyramid Texts is the Unas from the 6th Dynasty (circa 2500 BC). It shows that the original ideology of Egypt commingled with Osirian concepts. Although ultimately given a high place in heaven by order of Osiris, Unas is at first an enemy of the gods and his ancestors, who he hunts, lassoes, kills, cooks, and eats so that their powers may become his own. This was written at a time when the eating of parents and gods was a laudable ceremony, and this emphasizes how hard it must have been to stamp out the older order of cannibalism. “He eats men, he feeds on the gods…he cooks them in his fiery cauldrons. He eats their words of power, he swallows their spirits…. He eats the wisdom of every god, his period of life is eternity…. Their soul is in his body, their spirits are within him.” A parallel passage is found in the Pyramid Text of Pepi II, who is said to have “seizeth those who are a follower of Set…he breaketh their heads, he cutteth off their haunches, he teareth out their intestines, he diggeth out their hearts, he drinketh copiously of their blood!” (line 531, ff). Although crude, this was a core concept, the conviction that one could receive immortality by eating the flesh and blood of a god who had died became a dominating obsession in the ancient world. Although the cult of Osiris forbade cannibalism, it did not outlaw dismemberment and eating of enemies, and practiced the ritual rending and eating of the sacred bull, symbolizing Osiris.
Although this sacramental concept only originated once in history, it spread throughout the Mediterranean area and became the dynamic force in every mystery cult. It was only by this sacerdotal means that the corruptible deceased could be clothed in incorruption and this idea appears again and again in infinite variety. The scribe Nebseni implores: “And there in the celestial mansions of heaven which my divine father Tem hath established, let my hands lay hold upon the wheat and the barley which shall be given unto me therein in abundant measure” (Ibid. LXXII). Nu corroborates that this is the eucharist by saying: “I am established, and the divine Sekhet-hetep is before me, I have eaten therein, I have become a spirit therein, I have abundance therein.” (Ibid. LXXVII) Again Nu states: “I am the divine soul of Ra…which is god…I am the divine food which is not corrupted” (Ibid. LXXXV). The ancientness of the concept is again reaffirmed in the Pyramid Text of Teta (2600 BC) where the Osiris Teta “receivest thy bread which decayeth not, and thy beer which perisheth not” In the Text of Pepi I we read: “All the gods give thee their flesh and their blood…. Thou shalt not die.” In the Text of Pepi II the aspirant prays for “thy bread of eternity, and thy beer of everlastingness” (Line 390).

Osiris-Dionysus
By the Hellenic era, Greek awareness of Osiris had grown, and attempts had been made to merge Greek philosophy, such as Platonism, and the cult of Osiris (especially the myth of his resurrection), resulting in a new mystery religion. Gradually, this became more popular, and was exported to other parts of the Greek sphere of influence. However, these mystery religions valued the change in wisdom, personality, and knowledge of fundamental truth, rather than the exact details of the acknowledged myths on which their teachings were superimposed. Thus in each region that it was exported to, the myth was changed to be about a similar local god, resulting in a series of gods, who had originally been quite distinct, but who were now syncretisms with Osiris. These gods became known as Osiris-Dionysus.

Serapis
Eventually, in Egypt, the Hellenic pharaohs decided to produce a deity that would be acceptable to both the local Egyptian population, and the influx of Hellenic visitors, to bring the two groups together, rather than allow a source of rebellion to grow. Thus Osiris was identified explicitly with Apis, really an aspect of Ptah, who had already been identified as Osiris by this point, and a syncretism of the two was created, known as Serapis, and depicted as a standard Greek god.

Destruction
Osiris-worship continued up until the 6th century AD on the island of Philae in Upper Nile. The Theodosian decree (in about 380 AD) to destroy all pagan temples and force worshippers to accept Christianity was ignored there. However, Justinian dispatched a General Narses to Philae, who destroyed the Osirian temples and sanctuaries, threw the priests into prison, and carted the sacred images off to Constantinople. However, by that time, the soteriology of Osiris had assumed various forms which had long spread far and wide in the ancient world.

THOTH

Thoth (Ramesseum, Luxor)

Thoth, a Greek name derived from the Egyptian *ḏiḥautī (djih-how-tee) (written by Egyptians as ḏḥwty) was considered one of the more important gods of the Egyptian pantheon. His feminine counterpart was Maàt. His chief shrine was at Khemennu, where he was the head of the local company of gods, later renamed Hermopolis by the Greeks (in reference to him through the Greeks' interpretation that he was the same as Hermes) and Eshmûnên by the Arabs. He also had shrines in Abydos, Hesert, Urit, Per-Ab, Rekhui, Ta-ur, Sep, Hat, Pselket, Talmsis, Antcha-Mutet, Bah, Amen-heri-ab, and Ta-kens.He was considered the heart and tongue of Ra as well as the means by which Ra's will was translated into speech. He has also been likened to the Logos of Plato and the mind of God. (see The All) In the Egyptian mythology, he has played many vital and prominent roles, including being one of the two gods, the other being his feminine counterpart Maàt, who stood on either side of Ra's boat. He has further been involved in arbitration, magic, writing, science , and the judging of the dead.

Name

Etymology

According to Theodor Hopfner ,Thoth's Egyptian name written as ḏḥwty originated from ḏḥw, claimed to be the oldest known name for the ibis although normally written as hbj. The addition of -ty denotes that he possessed the attributes of the ibis.] Hence his name means "He who is like the ibis".
The Egyptian pronunciation of ḏḥwty is not fully known, but may be reconstructed as *ḏiḥautī, based on the Ancient Greek borrowing Θωθ Thōth or Theut and the fact that it evolved into Sahidic Coptic variously as Thoout, Thōth, Thoot, Thaut as well as Bohairic Coptic Thōout. The final -y may even have been pronounced as a consonant, not a vowel.However, many write "Djehuty", inserting the letter 'e' automatically between consonants in Egyptian words, and writing 'w' as 'u', as a convention of convenience for English speakers, not the transliteration employed by Egyptologists.

Alternate names

Alternate names for Thothin hieroglyphs
A
Sheps, lord of Khemennu
Asten
(hieroglyph not found)Khenti(not found)
Mehi
Hab
Aan
(not found)A'ah-Djehuty

Djehuty is sometimes alternatively rendered as Tahuti, Tehuti, Zehuti, Techu, or Tetu. Thoth (also Thot or Thout) is the Greek version derived from the letters ḏḥwty.
Not counting differences in spelling, Thoth had more than one name, like other gods and goddesses. Similarly, each Pharaoh, considered a god himself, had five different names used in public. Among his alternate names are A, Sheps, Lord of Khemennu, Asten, Khenti, Mehi, Hab, and A'an. In addition, Thoth was also known by specific aspects of himself, for instance the moon god A'ah-Djehuty, representing the moon for the entire month. Further, the Greeks related Thoth to their god Hermes due to his similar attributes and functions. One of Thoth 's titles, "Three times great, great" (see Titles) was translated to the Greek τρισμεγιστος (Trismegistos) making Hermes Trismegistus.

Depictions

Thoth has been depicted in many ways depending on the era and aspect the artist wished to convey. Usually, he is depected in human form with the head of an ibis.In this form, he can be represented as the reckoner of times and seasons by a lunar disk sitting in a crescent moon being placed atop his head. When depicted as a form of Shu or Ankher, he will wear the respective god's headdress. He also is sometimes seen wearing the atef crown and the United Crowns of Upper and Lower Egypt.When not depicted in this common form, he sometimes takes the form of the ibis directly. He also appears as an ape when he is A'an, the god of equilibrium. In the form of A'ah-Djehuty he took a more human looking form.These forms are all symbolic and are metaphors for Thoth's attributes. The Egyptians did not believe these gods actually looked like humans with animal heads. For example, Thoth's counterpart Maàt is often depicted with an ostrich feather for a head.

Attributes

Egyptologists disagree on Thoth's nature depending upon their view of the Egyptian pantheon. Most egyptologists today side with Sir Flinders Petrie that Egyptian religion was strictly polytheistic, in which Thoth would be a separate god. His contemporary adversary, E. A. Wallis Budge, however, thought Egyptian religion to be primarily monotheistic where all the gods and goddesses were aspects of the God Ra, similar to the Trinity in Christianity and devas in Hinduism. In this view, Thoth would be the aspect of Ra which the Egyptian mind would relate to the heart and tongue.
His roles in Egyptian mythology were many. Thoth served as a mediating power, especially between good and evill, making sure neither had a decisive victory over the other. He also served as scribe of the gods, credited with the invention of writing and alphabets (ie. hieroglyphs) themselves. In the underworld, Duat, he appeared as an ape, A'an, the god of equilibrium, who reported when the scales weighing the deceased's heart against the feather, representing the principle of Maàt, was exactly even.
Thoth, depicted with an ibis head.
The ancient Egyptians regarded Thoth as One, self-begotten, and self-produced. He was the master of both physical and moral (ie. Divine) law, making proper use of Maàt. He is credited with making the calculations for the establishment of the heavens, stars, Earth,and everything in them.Compare this to how his feminine counterpart, Maàt was the force which maintained the Universe. He is said to direct the motions of the heavenly bodies. Without his words, the Egyptians believed, the gods would not exist.His power was almost unlimited in the Underworld and rivalled that of Ra and Osiris.
The Egyptians credited him as the author of all works of science, religion, philosophy, and magic. The Greeks further declared him the inventor of astronomy, astrology, the science of numbers, mathematics, geometry, land surveying, medicine, botany, theology, civilized government, the alphabet, reading, writing, and oratory. They further claimed he was the true author of every work of every branch of knowledge, human and divine.

Mythology

Thoth has played a prominent role in many of the Egyptian myths. Displaying his role as arbitrator, he had overseen the three epic battles between good and evil. All three battles are fundamentally the same and belong to different periods. The first battle took place between Ra and Apep, the second between Heru-Bekhutet and Set, and the third between Horus, the son of Osiris, and Set. In each instance, the former god represented good while the latter represented evil. If one god was seriously injured, Thoth would heal them to prevent either from overtaking the other.
Thoth was also prominent in the Osiris myth, being of great aid to Isis. After Isis gathered together the pieces of Osiris' dismembered body, he gave her the words to resurrect him so she could be impregnated and bring forth Horus, named for his uncle. When Horus was slain, he gave the formulae to resurrect him as well. Similar to God speaking the words to create the heavens and Earth in Judeo-Christian mythology, Thoth, being the god who always speaks the words that fulfill the wishes of Ra, spoke the words that created the heavens and Earth in Egyptian mythology.
Mythology also accredits him with the creation of the 365 day calendar. Originally, according to the myth, the year was only 360 days long and Nut with sterility during these days, unable to bear children. Thoth gambled with Khonsu, the moon, for 1/72nd of its light (360/72 = 5), or 5 days, and won. During these 5 days, she gave birth to Kheru-ur (Horus the Elder, Face of Heaven), Osiris, Set, Isis, and Nepthys.
In the Ogdoad cosmogony myth, Thoth gave birth to Ra, Atum, Nefertum, and Khepri by laying an egg while in the form of an ibis, or later as a goose laying a golden egg.

History

Thoth, sitting on his throne.
He was originally the deification of the moon in the Ogdoad belief system. Initially, in that system, the moon had been seen to be the eye of Horus, the sky god, which had been semi-blinded (thus darker) in a fight against Set, the other eye being the sun. However, over time it began to be considered separately, becoming a lunar deity in its own right, and was said to have been another son of Ra. As the crescent moon strongly resembles the curved beak of the ibis, this separate deity was named Djehuty (i.e. Thoth), meaning ibis.
Thoth became associated with the Moon, due to the Ancient Egyptians observation that Baboons (sacred to Thoth) 'sang' to the moon at night.
The Moon not only provides light at night, allowing the time to still be measured without the sun, but its phases and prominence gave it a significant importance in early astrology/astronomy. The cycles of the moon also organized much of Egyptian society's civil, and religious, rituals, and events. Consequently, Thoth gradually became seen as a god of wisdom, magic, and the measurement, and regulation, of events, and of time. He was thus said to be the secretary and counsellor of Ra, and with Maàt (truth/order) stood next to Ra on the nightly voyage across the sky, Ra being a sun god.
Thoth became credited by the ancient Egyptians as the inventor of writing, and was also considered to have been the scribe of the underworld, and the moon became occasionally considered a separate entity, now that Thoth had less association with it, and more with wisdom. For this reason Thoth was universally worshipped by ancient Egyptian Scribes.
In art, Thoth was usually depicted with the head of an ibis, deriving from his name, and the curve of the ibis' beak, which resembles the crescent moon. Sometimes, he was depicted as a baboon holding up a crescent moon, as the baboon was seen as a nocturnal, and intelligent, creature. The association with baboons led to him occasionally being said to have as a consort Astennu, one of the (male) baboons at the place of judgement in the underworld, and on other occasions, Astennu was said to be Thoth himself.
During the late period of Egyptian history a cult of Thoth gained prominence, due to its main centre, Khnum (Hermopolis Magna), also becoming the capital, and millions of dead ibis were mummified and buried in his honour. The rise of his cult also led to his cult seeking to adjust mythology to give Thoth a greater role.

Thoth was inserted in many tales as the wise counsel and persuader, and his association with learning, and measurement, led him to be connected with Seshat, the earlier deification of wisdom, who was said to be his daughter, or variably his wife. Thoth's qualities also led to him being identified by the Greeks with their closest matching god - Hermes, with whom Thoth was eventually combined, as Hermes Trismegistus, also leading to the Greeks naming Thoth's cult centre as Hermopolis, meaning city of Hermes.
It is also viewed that Thoth was the God of Scribe and not a messenger. Anubis was viewed as the messenger of the gods, as he travelled in and out of the Underworld, to the presence of the gods, and to humans, as well. Some call this fusion Hermanubis. It is in more favor that Thoth was a record keeper, and not the messenger.
There is also an Egyptian pharaoh of the Sixteenth dynasty of Egypt named Djehuty (Thoth) after him, and who reigned for three years.

Titles
Titles belonging to Thothin hieroglyphs
Scribe of Maàt in the Company of the Gods
Lord of Maàt
Lord of Divine Words
Judge of the Two Combatant Gods
Judge of the Rekhekhui, the Pacifierof the Gods, who Dwelleth in Unnu,the Great God in the Temple of Abtiti




Twice Great
Thrice Great
Three Times Great, Great

Thoth, like many Egyptian gods and nobility, held many titles. Among these were "Scribe of Maàt in the Company of the Gods," "Lord of Maàt," "Lord of Divine Words," "Judge of the Two Combatant Gods," "Judge of the Rekhekhui, the pacifier of the Gods, who Dwelleth in Unnu, the Great God in the Temple of Abtiti,"Twice Great," "Thrice Great," " and "Three Times Great, Great."
Thoth in more recent times
One of the most popular and cited works on the Tarot was connected to this deity. Written by the occultist Aleister Crowley, The Book of Thoth is a philosophical text on the usage of Tarot and, most notably, Crowley's own created Tarot Deck, the Thoth Tarot which he also referred to as The Book of Thoth, where the name is taken from a "non-existent" (translations from papyrus of an actual book of thoth DO exist, titled 'The Ancient Egyptian Book of Thoth' by Jasnow and Zauzich) book in Egyptian mythology, believed to contain ancient knowledge originally brought to man by this deity. Crowley commissioned Lady Frieda Harris to assist him in painting the Thoth Deck.


A text entitled The Emerald Tablets of Thoth-The-Atlantean has been claimed to have been translated by a man named Doreal. The introduction claims them to be written by an Atlantion Priest-King named Thoth, who settled a colony in Egypt after Atlantis sunk. Doreal further claims the texts are 36,000 years old. Regardless of the authenticity of the text, it contains much Hermetic and Egyptian symbolism that Doreal misses